Tag

cinema

Artificial Intelligence / Film and TV

Using AI in Film Studio Decision-Making

An “auteur” is a film director who influences their films so much that they rank as an author, and the auteur theory of filmmaking is one that frames the director as the primary creative force in a motion picture. Are we moving into an era in which artificial intelligence algorithm – rather than the auteur – is behind the magic of the movies? In this article for JURIST, I consider several legal and social implications of using AI in the film industry. The global movie industry generated over $43 (£33) billion in revenue in 2018, of which the United States’ contribution…

Deepfakes

Deepfakes: 2019 in Review

By now, many people are aware of Deepfakes: a form of digital impersonation, in which the face and voice of a person can be superimposed into video and audio recordings of another individual. But much has happened from technological, social and legal perspectives since deepfakes first surfaced in 2017. Here’s a roundup of the technological and legal changes we’ve seen. Deepfakes are now mainstream 2019 has seen deepfakes go from niche novelty to mainstream phenomenon. As any moviegoer knows, computer-generated special effects are nothing new. But deepfakes have captured the public’s imagination because they can be created with startling accuracy…

Film and TV / Intellectual Property

“The Wife” and rights of attribution: an intellectual property perspective

In The Wife, Glenn Close plays Joan Castleman, the steadfast and amenable wife of celebrated novelist Joseph Castleman. But when Joe wins the Nobel Prize in Literature, things start to unravel between them. Is there more to Joan’s support than meets the eye? In this post, I consider the merits of a hypothetical intellectual property dispute between the couple, and an often-neglected right in particular. We first meet Joan Castleman – The Wife – the evening before her husband, celebrated novelist Joseph Castleman, wins the Nobel Prize in Literature. Praise and adoration for Joe’s prolific and highly acclaimed body of work are subsequently lavished…

Uncategorized

All the Stars and Constellations

A music video for the new Black Panther film features scenes of striking similarity to artist Lina Iris Viktor’s Constellations series. Is this inspiration or infringement? Marvel Studios’ new movie Black Panther features the first black superhero to appear in mainstream comics. It has received widespread acclaim and press, not least because of its positive portrayal of Africans and African Americans as powerful, heroic characters. In its review, The New York Times exclaims that the film “is a vivid re-imagination of something black Americans have cherished for centuries — Africa as a dream of our wholeness, greatness and self-realisation.” To promote the film and…

Uncategorized

Merger at the Movies

British cinema chain Cineworld will buy American chain Regal Entertainment for £2.7 ($3.6) billion The merger announcement comes at a time of tough competition amongst theatre chains as they struggle with long-term declines in audiences and changes in consumer behaviour. Exclusive release windows continue to shorten.  Introduction of the Video Home System (VHS) technology in the late 1970’s posed a significant threat to the traditional studio-to-cinema distribution model. Studios and cinemas created the “release window” system in the 1980’s as a strategy to keep different film formats from competing with each other. Only after a film was shown exclusively in cinemas…